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Karl Wilhelm Friedrich Schlegel
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Karl Wilhelm Friedrich Schlegel


Karl Wilhelm Friedrich (after 1814: von) Schlegel (10 March 1772 – 12 January 1829) was a German poet, literary critic, philosopher, philologist and indologist. With his older brother, August Wilhelm Schlegel, he was one of the main figures of the Jena romantics.

He was a zealous promoter of the Romantic movement and inspired Samuel Taylor Coleridge, Adam Mickiewicz and Kazimierz Brodziński. Schlegel was a pioneer in Indo-European studies, comparative linguistics, in what became known as Grimm's law, and morphological typology. As a young man he was an atheist, a radical, and an individualist. Ten years later, the same Schlegel converted to Catholicism. Around 1810 he was a diplomat and journalist in the service of Metternich, surrounded by monks and pious men of society




Life and work

Karl Friedrich von Schlegel was born on 10 March 1772 at Hanover, and his father was the Lutheran pastor Johann Adolf Schlegel in the Marktkirche. He studied law at Göttingen and Leipzig, but ultimately devoted himself entirely to literary studies. He moved to Jena where his brother August lived and collaborated with Novalis, Ludwig Tieck, Fichte and Caroline Schelling. In 1797 he published Die Griechen und Römer (The Greeks and Romans), which was followed by Geschichte der Poesie der Griechen und Römer (The History of the Poetry of the Greeks and Romans) (1798). Then he turned to Dante, Goethe and Shakespeare. In Jena he co-founded the Athenaeum, contributing fragments, aphorisms and essays in which the principles of the Romantic school are most definitely stated. They are now generally recognized as the deepest and most significant expressions of the subjective idealism of the early romanticists. After an argument with Friedrich Schiller, Friedrich decided to move to Berlin. There he lived with Friedrich Schleiermacher and met Henriette Herz, Rahel Varnhagen, and his future wife Dorothea Veit-Mendelsohn, a daughter of Moses Mendelssohn and the mother of Philipp Veit.

In 1799 he published Lucinde, an eccentric and unfinished romance, which is interesting as an attempt to transfer to practical ethics the Romantic demand for complete individual freedom.[4] Lucinde, in which he extolled the union of sensual and spiritual love as an allegory of the divine cosmic Eros, caused a great scandal by its manifest autobiographical character, and contributed to the failure of his academic career in Jena [5] where he lectured as a Privatdozent in Transcendental philosophy. In Alarcos, a tragedy (1802) in which, without much success, he combined romantic and classical elements.


Old photo of the cathedral before completion shows the east end finished and roofed, while other parts of the building are in various stages of construction.


Unfinished cathedral, 1856 with ancient crane on south tower.
In 1802 he went to Paris, where he had a circle including Heinrich Christoph Kolbe and edited the review Europa (1803). In Weimar he met with the French authors Germaine de Staël and Benjamin Constant. He lectured on philosophy in private courses for Sulpiz Boisserée, and carried on under Alexander Hamilton (linguist) and Antoine-Léonard de Chézy to study Sanskrit and the Persian language. In his magazine Europe he published about Gothic architecture and Old Masters. In 1806 he and his wife went to visit Aubergenville, where his brother lived with Madame de Staël. In 1808 he published an epoch-making book, Über die Sprache und Weisheit der Indier (On the Language and Wisdom of India). In the same year he and his wife Dorothea joined in the Cologne Cathedral the Roman Catholic Church. From this time he became more and more opposed to the principles of political and religious freedom. He went to Vienna and in 1809 was appointed imperial court secretary at the headquarters and accompanied archduke Charles, Duke of Teschen to war, issuing fiery proclamations against Napoleon and editing the army newspaper. Schlegel was stationed in Pest, during the War of the Fifth Coalition; there he studied the Hungarian language. Meanwhile he had published his collected Geschichte (Histories) (1809)[citation needed] and two series of lectures, Über die neuere Geschichte (On the New History) (1811) and Geschichte der alten und neuen Literatur (On old and new literature) (1815). In 1814 he was knighted in the Supreme Order of Christ.

“ In collaboration with Josef von Pilat, editor of the Österreichischer Beobachter, and with the help of Adam Müller and Friedrich Schlegel, Metternich and Gentz projected a vision of Austria as the spiritual leader of a new Germany, drawing her strength and inspiration from a romanticised view of a medieval Catholic past. ”

In 1815, after the Congress of Vienna he was councillor of legation in the Austrian embassy at the Frankfurt diet, but in 1818 he returned to Vienna. In 1819 he and Clemens Brentano made a trip to Rome, in the company of Metternich and Gentz. There he met with his wife and her sons. In 1820 he started a conservative Catholic magazine Concordia (1820–1823), but was criticized by Metternich and his brother August, in between professor Indology in Bonn and busy publishing the Bagavad Gita. Friedrich and began the issue of his Sämtliche Werke (Collected Works). He also delivered lectures, which were republished in his Philosophie des Lebens (Philosophy of Life) (1828) and in his Philosophie der Geschichte (Philosophy of History) (1829). He died on 12 January 1829 at Dresden, giving a series of lectures.


Yaad Kuch Aata Nahin, Yeh Hua Kab Se...Ho Gaya Mushkil Chhupaana Raaz Yeh Sab Se...Tum Kaho To Maang Loon Main Aaj Kuch Rab Se Rabba mere rabba rabba, rabba mere rabba,Is pyaar ko main kya naam doon Roshni se bhare bhare..Bhare bhare naina tere..Chhooke bole na chhoona mujhe Suraj hua maddham, chaand jalne laga..Aasmaan yeh haai kyoon pighalne laga..Main thehra raha, zameen chalne lagi.. Bheeghi Bheeghi Raaton Mein, Phir Tum Aao Na...Asi Barsaton Mein Aao Na.. Humko Humise Chura Lo, Dil Mein Kahin Tum Chhupa Lo,Hum Akele Kho Naa Jaaye, Door Tumse Ho Naa Jaaye,Paas Aao Gale Se Lagaa Lo Toota Toota ek parinda...Jo bhi kaal hua kal bhi phir aayaga Hai...Tumse milke dil ka hai jo haal kya kahe..Ho gaya hai kaisa yeh kamaal kya kahe Ruka Ja, Oh Jaana Wali Ruka Ja...Nazara Mein To Tera Bhura Sa Sahi..Adami Mein Bhura Nahi Dil Ka Aja Re, Aja Re Oh Mere Dilbar Aja..Dil Ki Pyaas Buja Ja Re...Oh Noorie kabhie kabhie mere dil mein khayaal aata hai...ke jaise tujh ko banaya gaya hai mere liye..ke jaise tujh ko banaya gaya haiKitna bechain hoke tumse mila...Tumko kya tha khabar tha main kitna akela ..Ke kitna mohabbat hai tumse...Hai...Tumse milke dil ka hai jo haal kya kahe..Ho gaya hai kaisa yeh kamaal kya kaheTujhe dekha to yeh jaana sanam..Pyaar hota hai deewana sanam..Tujhe dekha to yeh jaana sanam.Tujhe dekha to yeh jaana sanam..Pyaar hota hai deewana sanam.Ab ahan se kahan jaaye hum..Teri bahon mein mar jaaye hum Aksar is duniya mein anjaane milte hain,Anjaani raahon mein milke kho jaate hain,Lekin hamesha voh yaad aate hain Na kajre ki dhaar, na motiyon ke haar,Na koi kiya singaar phir bhi kitni sundar ho,Tum kitni sundar ho Na jaane mere dil ko kya ho gaya..Abhi to yahin tha, abhi kho gaya..Ho gaya hai tujhko to pyaar sajna..Lakh kar le tu inkaar sajna..Dildaar sajna, hai yeh pyaar sajna



Dil Dooba Dil Dooba...Neela Akho Mein Yeh Dil Dooba.. Neela Neela Amber Per Chand Jab Aye...Aisa Koi Saathi Ho ..Aisa Koi Premi Hoi Jaanam Dekh Lo Mit Gayeen Dooriyaan..Main Yahaan Hoon Yahaan Hoon..Yahaan Hoon..Yahaan...Kaisi Sarhadein...Kaisi Majbooriyaan..Main Yahaan Hoon Yahaan Hoon..Yahaan Hoon..Yahaan...Tum Chhupaa Na Sakogi Main Vo Raaz Hoon...Tum Bhulaa Na Sakogi Vo Andaaz Hoon...Goonjtaa Hoon Jo Dil Mein To Hairaan Ho Kyon...Main Tumhaare Hi Dil Ki To Aavaaz Hoon...Main Yahaan Hoon Yahaan Hoon..Yahaan Hoon..Yahaan... Aisa muhje tu na dehka na...seeena se laga loonga, tum ko tumse chura loonga...dil mein chupa loonga Gila Gila Dil Gila.. Mila mila mila koi mila ...Teri Ha Adaar Laga sab se judaa hai dil tuje per fida hai... Dhoom Dhoom let ya body do the talking..Dhoom Dhoom be the fire thats buring..Dhoom machaalay dhoom machaalay dhoom Tere Liye Hum Hai Jiye..Hota ke siya...Dil mein Magar chalte reha chaahat ke Diya... Zara zara bahekta hai, mahekta hai,Aaj to mera tan badan, main pyaasi hoon,Mujhe bhar le apni baahon mein Dheera dheera se mera zindagi mein ana...tumsi pyar huma hai kitna jaana jaana Pyar ke isa khel mein..do dil aur mehl mein, tera peecha na chodunga soniya Mera mehboob sanam, tera ashiq hogaya hum...milaka nazaaro se nazaar tera pyaar mein kogaya hum... Wada Raha Pyar Se Pyar Ka, Hum Na Hoga Juda, Dil Ke Dhadkhan Sunrha Hai Mera Khudda Dheera Dheera Se Mera Zindagi Mein Ana...Tumsi Pyar Huma Hai Kitna Jaana JaanaSaamne hain raastein, hum guzar jaaye...Ya kisi ke vaaste hum thaher jaaye...Ab yahan tak aa gaye hain, ab kidhar jaaye...Jaaduuuuuuu teri nazar...Kushboo tera baadan..tu har kar, ya nah kar...Kali nagin ke jaise..Zulfe teri kali kali..Sagar ko moti aur..Suraj ko tu dati hai lali..Kali nagin ke jaise..Zulfe teri kali kaliYeh din yeh mahine saal guzar jaayenge mere yaar..Magar itna rakhna khayaal..Jeena sirf mere liye, jeena sirf mere liye..Kasam se jeena sirf mere liye, jeena sirf mere liye Banno ki saheli resham ki dori..Chhup chhupke sharmaaye dekhe chori chori..Yeh maane ya na maane main to ispe mar gaya..Yeh ladki haai allah, haai haai re allah Tum paas aaye, yun muskuraaye,Tumne na jaane kya sapne dikhaaye,Tum paas aaye, yun muskuraaye,Tumne na jaane kya sapne dikhaaye,Ab to mera dil jaage na sota hai,Kya karoon haaye, kuch kuch hota hai
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