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Aleksandr Georgievich Spirkin (1918 - 2004)
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Old 31-12-2016
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Aleksandr Georgievich Spirkin (1918 - 2004)


Aleksandr Georgievich Spirkin (1918 - 2004) a well-known Soviet psychologist, who was a corresponding member of the erstwhile USSR Academy of Science and the head of the section of methodological problems of Cybernetics in Scientific Council of Cybernetics of the USSR Academy of Sciences, presents some illuminating views in his book Dialectical Materialism (Progress Publishers Moscow-1983, published during the Soviet days) about Indian's ancient explorers.

Professor Spirkin writes:

" The sages of India discovered astonishingly subtle and profound psycho-biophysical connections between human organism and cosmic subterranean processes. They knew much that even today is beyond the ken European scientific thought, or that it ignores, often trying to conceal its helplessness by asserting that oriental wisdom is mere mysticism, and thus showing its inability to distinguish the rational but not yet fully understandable essence from various figments of imagination…

It is sometimes difficult for us to penetrate the profound language of symbolic forms in which this wisdom is couched, to get at the essence of that wisdom. A full understanding of these complex problems can be achieved only in the broad context of history and culture. Historical experience offers us some instructive lessons for the present day. If we look around thoughtfully at the path humanity has passed, it is not difficult to see that the minds of the makers of culture have been guided by the desire to achieve an understanding and a rational transformation of the human being himself, his bodily and spiritual organization, the preservation and strengthening of his health. Socio-political, philosophical, religious, moral, aesthetic and all cultural efforts in general have tended towards this goal.

"The culture of the ancient Orient affirmed not only ideas of man's dependence on the supernatural forces that were external to him; there was also a tendency to cultivate certain rules of behaviour in relation to these forces, including techniques of training the body in relation to these forces to regulate and perfect bodily and spiritual processes. Various systems of exercises linked with religious beliefs were evolved to change the state of the mind, the consciousness, to achieve complete unity with the universe, to become one with the energy of nature. These techniques for influencing one's own organism through the mechanisms of psycho-physiological self-regulation and control - techniques that are much in fashion today – could not have survived for centuries and have penetrated other cultures with a different ethnos, if they had not contained some real knowledge of the most subtle and hidden structural. Energo-informational neuro-psychical and humoral potentials, which even now sometimes seem fantastic to the analytical European mind, particularly when it is fettered by stereotypes.

"Oriental culture is full of beliefs about the role of the way of life and its various components – breathing techniques, the ability to commune very subtly with nature, acupuncture, cauterizing, and other ways of influencing the biologically active centers of the organism, herbo-medicine, diagnostics by means of the iris of the eye, pulse and olfactory diagnostics, consideration of the position of the earth in relation to the celestial bodies in medicine, the time of year and day and of the properties of water in relation to the state of the earth strata and the character of its flow in connection with the geo magnetic phenomena – all this and much else has contributed to the great wisdom of the Eastern peoples, the wealth of their culture and man's place therein, their understanding of the mechanisms of regulation of his life activity and vital potentials. Thus already in the distant past, in the mists of mythological world views the precious crystals of knowledge, tested by the experience of centuries, of skills in beneficially influencing man's body gradually accumulated. How could people of those far off times know so much without any experiments or apparatus about the conditions and factors that regulate the course of the vital processes and the character of the interaction between man and nature, particularly the influence of the celestial bodies, the sun and the moon and various radiations proceeding from outer space and the bowels of the earth!? And all this was taken into consideration both in diagnosing and in treatment! Does this not go to show an astonishingly high level of culture that should arouse our admiration, gratitude and desire to study! This knowledge could not have retained its vitality if it had not again and again been confirmed by practice."

(source: Dialectical Materialism - By Aleksandr Georgievich Spirkin p. 339 - 340).


Yaad Kuch Aata Nahin, Yeh Hua Kab Se...Ho Gaya Mushkil Chhupaana Raaz Yeh Sab Se...Tum Kaho To Maang Loon Main Aaj Kuch Rab Se Rabba mere rabba rabba, rabba mere rabba,Is pyaar ko main kya naam doon Roshni se bhare bhare..Bhare bhare naina tere..Chhooke bole na chhoona mujhe Suraj hua maddham, chaand jalne laga..Aasmaan yeh haai kyoon pighalne laga..Main thehra raha, zameen chalne lagi.. Bheeghi Bheeghi Raaton Mein, Phir Tum Aao Na...Asi Barsaton Mein Aao Na.. Humko Humise Chura Lo, Dil Mein Kahin Tum Chhupa Lo,Hum Akele Kho Naa Jaaye, Door Tumse Ho Naa Jaaye,Paas Aao Gale Se Lagaa Lo Toota Toota ek parinda...Jo bhi kaal hua kal bhi phir aayaga Hai...Tumse milke dil ka hai jo haal kya kahe..Ho gaya hai kaisa yeh kamaal kya kahe Ruka Ja, Oh Jaana Wali Ruka Ja...Nazara Mein To Tera Bhura Sa Sahi..Adami Mein Bhura Nahi Dil Ka Aja Re, Aja Re Oh Mere Dilbar Aja..Dil Ki Pyaas Buja Ja Re...Oh Noorie kabhie kabhie mere dil mein khayaal aata hai...ke jaise tujh ko banaya gaya hai mere liye..ke jaise tujh ko banaya gaya haiKitna bechain hoke tumse mila...Tumko kya tha khabar tha main kitna akela ..Ke kitna mohabbat hai tumse...Hai...Tumse milke dil ka hai jo haal kya kahe..Ho gaya hai kaisa yeh kamaal kya kaheTujhe dekha to yeh jaana sanam..Pyaar hota hai deewana sanam..Tujhe dekha to yeh jaana sanam.Tujhe dekha to yeh jaana sanam..Pyaar hota hai deewana sanam.Ab ahan se kahan jaaye hum..Teri bahon mein mar jaaye hum Aksar is duniya mein anjaane milte hain,Anjaani raahon mein milke kho jaate hain,Lekin hamesha voh yaad aate hain Na kajre ki dhaar, na motiyon ke haar,Na koi kiya singaar phir bhi kitni sundar ho,Tum kitni sundar ho Na jaane mere dil ko kya ho gaya..Abhi to yahin tha, abhi kho gaya..Ho gaya hai tujhko to pyaar sajna..Lakh kar le tu inkaar sajna..Dildaar sajna, hai yeh pyaar sajna



Dil Dooba Dil Dooba...Neela Akho Mein Yeh Dil Dooba.. Neela Neela Amber Per Chand Jab Aye...Aisa Koi Saathi Ho ..Aisa Koi Premi Hoi Jaanam Dekh Lo Mit Gayeen Dooriyaan..Main Yahaan Hoon Yahaan Hoon..Yahaan Hoon..Yahaan...Kaisi Sarhadein...Kaisi Majbooriyaan..Main Yahaan Hoon Yahaan Hoon..Yahaan Hoon..Yahaan...Tum Chhupaa Na Sakogi Main Vo Raaz Hoon...Tum Bhulaa Na Sakogi Vo Andaaz Hoon...Goonjtaa Hoon Jo Dil Mein To Hairaan Ho Kyon...Main Tumhaare Hi Dil Ki To Aavaaz Hoon...Main Yahaan Hoon Yahaan Hoon..Yahaan Hoon..Yahaan... Aisa muhje tu na dehka na...seeena se laga loonga, tum ko tumse chura loonga...dil mein chupa loonga Gila Gila Dil Gila.. Mila mila mila koi mila ...Teri Ha Adaar Laga sab se judaa hai dil tuje per fida hai... Dhoom Dhoom let ya body do the talking..Dhoom Dhoom be the fire thats buring..Dhoom machaalay dhoom machaalay dhoom Tere Liye Hum Hai Jiye..Hota ke siya...Dil mein Magar chalte reha chaahat ke Diya... Zara zara bahekta hai, mahekta hai,Aaj to mera tan badan, main pyaasi hoon,Mujhe bhar le apni baahon mein Dheera dheera se mera zindagi mein ana...tumsi pyar huma hai kitna jaana jaana Pyar ke isa khel mein..do dil aur mehl mein, tera peecha na chodunga soniya Mera mehboob sanam, tera ashiq hogaya hum...milaka nazaaro se nazaar tera pyaar mein kogaya hum... Wada Raha Pyar Se Pyar Ka, Hum Na Hoga Juda, Dil Ke Dhadkhan Sunrha Hai Mera Khudda Dheera Dheera Se Mera Zindagi Mein Ana...Tumsi Pyar Huma Hai Kitna Jaana JaanaSaamne hain raastein, hum guzar jaaye...Ya kisi ke vaaste hum thaher jaaye...Ab yahan tak aa gaye hain, ab kidhar jaaye...Jaaduuuuuuu teri nazar...Kushboo tera baadan..tu har kar, ya nah kar...Kali nagin ke jaise..Zulfe teri kali kali..Sagar ko moti aur..Suraj ko tu dati hai lali..Kali nagin ke jaise..Zulfe teri kali kaliYeh din yeh mahine saal guzar jaayenge mere yaar..Magar itna rakhna khayaal..Jeena sirf mere liye, jeena sirf mere liye..Kasam se jeena sirf mere liye, jeena sirf mere liye Banno ki saheli resham ki dori..Chhup chhupke sharmaaye dekhe chori chori..Yeh maane ya na maane main to ispe mar gaya..Yeh ladki haai allah, haai haai re allah Tum paas aaye, yun muskuraaye,Tumne na jaane kya sapne dikhaaye,Tum paas aaye, yun muskuraaye,Tumne na jaane kya sapne dikhaaye,Ab to mera dil jaage na sota hai,Kya karoon haaye, kuch kuch hota hai
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