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Sir William Wilson Hunter (1840 – 1900)
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Old 12-02-2015
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Sir William Wilson Hunter (1840 – 1900)


Sir William Wilson Hunter KCSI CIE (15 July 1840 – 6 February 1900)[1] was a Scottish historian, statistician, a compiler and a member of the Indian Civil Service.

He is most known for The Imperial Gazetteer of India on which he started working in 1869, and which was eventually published in nine volumes in 1881 and later as a twenty-six volume set after his death.




He reached Bengal Presidency in November 1862 and was appointed assistant magistrate and collector of Birbhum, in the lower provinces of Bengal, where he began collecting local traditions and records, which formed the materials for his publication, entitled The Annals of Rural Bengal, which influenced among others the historical romance Durgeshnandini of Bankim Chandra Chatterjee.[2]

He also compiled A Comparative Dictionary of the Non-Aryan Languages of India, a glossary of dialects based mainly upon the collections of Brian Houghton Hodgson, which testifies to the industry of the writer but contains much immature philological speculation.[citation needed]

In 1869 Lord Mayo, the then governor-general, asked Hunter to submit a scheme for a comprehensive statistical survey of India. The work involved the compilation of a number of local gazetteers, in various stages of progress, and their consolidation in a condensed form upon a single and uniform plan. There was unhappiness with the scope and completeness of the earlier surveys conducted by administrators such as Buchanan, and Hunter determined to model his efforts on the Ain-i-Akbari and Description de l'Égypte. Hunter said that "It was my hope to make a memorial of England's work in India, more lasting, because truer and more complete, than these monuments of Mughal Empire and of French ambition."[3]

In response to Mayo's question on 30 May 1871 of whether the Indian Muslims are "bound by their religion to rebel against the Queen" Hunter completed his influential work The Indian Musalmans in mid-June 1871 and later published it as a book in mid-August of the same year.

In 1872 Hunter published his history of Orissa. The third International Sanitary Conference held at Constantinople in 1866 declared Hindu and Muslim pilgrimages to be 'the most powerful of all the causes which conduce to the development and propagation of Cholera epidemics'. Hunter echoing the view described the 'squalid pilgrim army of Jagannath' as


with its rags and hair and skin freighted with vermin and impregnated with infection, may any year slay thousands of the most talented and beautiful of our age in Vienna, London, or Washington.





The Imperial Gazetteer of India, William Wilson Hunter's most known work, on which he started working in 1869.
He embarked on a series of tours throughout the country, and he supervised the A Statistical Account of Bengal (20 volumes, 1875-1877) and a similar work for Assam (2 volumes, 1879).

Hunter wrote that


Under this system, the materials for the whole of British India have now been collected, in several Provinces the work of compilation has rapidly advanced, and everywhere it is well in hand. During the same period the first Census of India has been taken, and furnished a vast accession to our knowledge of the people. The materials now amassed form a Statistical Survey of a continent with a population exceeding that of all Europe, Russia excepted."

The statistical accounts, covering the 240 administrative districts, comprised 128 volumes and these were condensed into the nine volumes of The Imperial Gazetteer of India, which was published in 1881.

The Gazetteer was revised in later series, the second edition comprising 14 volumes published between 1885 and 1887, while the third comprised 26 volumes, including an atlas, and was published in 1908 under the editorship of Herbert Hope Risley, William Stevenson Meyer, Richard Burn and James Sutherland Cotton.

Hunter adopted a transliteration of vernacular place-names, by which means the correct pronunciation is ordinarily indicated; but hardly sufficient allowance was made for old spellings consecrated by history and long usage. Hunter's own article on India was published in 1880 as A Brief History of the Indian Peoples, and has been widely translated and utilized in Indian schools. A revised form was issued in 1895, under the title of The Indian Empire: its People, History and Products.

Hunter later said that


Nothing is more costly than ignorance. I believe that, in spite of its many defects, this work will provide a memorable episode in the long battle against ignorance; a breakwater against the tide of prejudice and false opinions flowing down upon us from the past, and the foundation for a truer and wider knowledge of India in time to come. Its aim has been not literary graces, nor scientific discovery, nor antiquarian research; but an earnest endeavour to render India better governed, because better understood.

In 1882 Hunter, as a member of the governor-general's council, presided over the Commission on Indian Education; in 1886 he was elected vice-chancellor of the University of Calcutta.

In 1887 he retired from the service, was created KCSI, and settled at Oaken Holt, near Oxford.

On 13 March 1889 Philip Lyttelton Gell the then Secretary to the Delegates of the Clarendon Press, wrote to Hunter about


a project which has been for some time under the consideration of the Delegates, to publish a series giving the salient features of Indian History in the Biographies of successive Generals and Administrators.

Gell arranged the publication of the series by June 1889; with Hunter receiving £75 for each volume, and the author £25. Gell's experience of the earlier unsaleable Sacred Books of the East and financial constraints forced the Rulers of India to end at 28 volumes in spite of Hunter's disappointment about the same.

Hunter himself contributed the volumes on Dalhousie (1890) and Mayo (1891) to the series.

He had previously written an official Life of Lord Mayo, which was published on 19 November 1875 in two volumes with a second edition appearing in 1876.

He also wrote a weekly article on Indian affairs for The Times.

But the great task to which he applied himself on his settlement in England was a history upon a large scale of the British Dominion in India, two volumes of which only had appeared when he died, carrying the reader barely down to 1700. He was much hindered by the confused state of his materials, a portion of which he arranged and published in 1894 as Bengal Manuscript Records, in three volumes.

Hunter dedicated his 1892 work Bombay 1885 to 1890: A Study in Indian Administration to Florence Nightingale.

His later works include the novel titled The Old Missionary (1895, described on the title-page as "revised from The Contemporary Review"),[15] and The Thackerays in India (1897). John F. Riddick describes Hunter's The Old Missionary as one of the "three significant works" produced by Anglo-Indian writers on Indian missionaries along with The Hosts of the Lord (1900) by Flora Annie Steel and Idolatry (1909) by Alice Perrin.

In the winter of 1898–1899, in consequence of the fatigue incurred in a journey to the Caspian and back, on a visit to the sick-bed of one of his two sons, Hunter was stricken down by a severe attack of influenza, which affected his heart. He died at Oaken Holt on 6 February 1900.

S. C. Mittal believes that Hunter "represented the official mind of the bureaucratic Victorian historians in India", of whom James Talboys Wheeler and Alfred Comyn Lyall were other examples.


Yaad Kuch Aata Nahin, Yeh Hua Kab Se...Ho Gaya Mushkil Chhupaana Raaz Yeh Sab Se...Tum Kaho To Maang Loon Main Aaj Kuch Rab Se Rabba mere rabba rabba, rabba mere rabba,Is pyaar ko main kya naam doon Roshni se bhare bhare..Bhare bhare naina tere..Chhooke bole na chhoona mujhe Suraj hua maddham, chaand jalne laga..Aasmaan yeh haai kyoon pighalne laga..Main thehra raha, zameen chalne lagi.. Bheeghi Bheeghi Raaton Mein, Phir Tum Aao Na...Asi Barsaton Mein Aao Na.. Humko Humise Chura Lo, Dil Mein Kahin Tum Chhupa Lo,Hum Akele Kho Naa Jaaye, Door Tumse Ho Naa Jaaye,Paas Aao Gale Se Lagaa Lo Toota Toota ek parinda...Jo bhi kaal hua kal bhi phir aayaga Hai...Tumse milke dil ka hai jo haal kya kahe..Ho gaya hai kaisa yeh kamaal kya kahe Ruka Ja, Oh Jaana Wali Ruka Ja...Nazara Mein To Tera Bhura Sa Sahi..Adami Mein Bhura Nahi Dil Ka Aja Re, Aja Re Oh Mere Dilbar Aja..Dil Ki Pyaas Buja Ja Re...Oh Noorie kabhie kabhie mere dil mein khayaal aata hai...ke jaise tujh ko banaya gaya hai mere liye..ke jaise tujh ko banaya gaya haiKitna bechain hoke tumse mila...Tumko kya tha khabar tha main kitna akela ..Ke kitna mohabbat hai tumse...Hai...Tumse milke dil ka hai jo haal kya kahe..Ho gaya hai kaisa yeh kamaal kya kaheTujhe dekha to yeh jaana sanam..Pyaar hota hai deewana sanam..Tujhe dekha to yeh jaana sanam.Tujhe dekha to yeh jaana sanam..Pyaar hota hai deewana sanam.Ab ahan se kahan jaaye hum..Teri bahon mein mar jaaye hum Aksar is duniya mein anjaane milte hain,Anjaani raahon mein milke kho jaate hain,Lekin hamesha voh yaad aate hain Na kajre ki dhaar, na motiyon ke haar,Na koi kiya singaar phir bhi kitni sundar ho,Tum kitni sundar ho Na jaane mere dil ko kya ho gaya..Abhi to yahin tha, abhi kho gaya..Ho gaya hai tujhko to pyaar sajna..Lakh kar le tu inkaar sajna..Dildaar sajna, hai yeh pyaar sajna



Dil Dooba Dil Dooba...Neela Akho Mein Yeh Dil Dooba.. Neela Neela Amber Per Chand Jab Aye...Aisa Koi Saathi Ho ..Aisa Koi Premi Hoi Jaanam Dekh Lo Mit Gayeen Dooriyaan..Main Yahaan Hoon Yahaan Hoon..Yahaan Hoon..Yahaan...Kaisi Sarhadein...Kaisi Majbooriyaan..Main Yahaan Hoon Yahaan Hoon..Yahaan Hoon..Yahaan...Tum Chhupaa Na Sakogi Main Vo Raaz Hoon...Tum Bhulaa Na Sakogi Vo Andaaz Hoon...Goonjtaa Hoon Jo Dil Mein To Hairaan Ho Kyon...Main Tumhaare Hi Dil Ki To Aavaaz Hoon...Main Yahaan Hoon Yahaan Hoon..Yahaan Hoon..Yahaan... Aisa muhje tu na dehka na...seeena se laga loonga, tum ko tumse chura loonga...dil mein chupa loonga Gila Gila Dil Gila.. Mila mila mila koi mila ...Teri Ha Adaar Laga sab se judaa hai dil tuje per fida hai... Dhoom Dhoom let ya body do the talking..Dhoom Dhoom be the fire thats buring..Dhoom machaalay dhoom machaalay dhoom Tere Liye Hum Hai Jiye..Hota ke siya...Dil mein Magar chalte reha chaahat ke Diya... Zara zara bahekta hai, mahekta hai,Aaj to mera tan badan, main pyaasi hoon,Mujhe bhar le apni baahon mein Dheera dheera se mera zindagi mein ana...tumsi pyar huma hai kitna jaana jaana Pyar ke isa khel mein..do dil aur mehl mein, tera peecha na chodunga soniya Mera mehboob sanam, tera ashiq hogaya hum...milaka nazaaro se nazaar tera pyaar mein kogaya hum... Wada Raha Pyar Se Pyar Ka, Hum Na Hoga Juda, Dil Ke Dhadkhan Sunrha Hai Mera Khudda Dheera Dheera Se Mera Zindagi Mein Ana...Tumsi Pyar Huma Hai Kitna Jaana JaanaSaamne hain raastein, hum guzar jaaye...Ya kisi ke vaaste hum thaher jaaye...Ab yahan tak aa gaye hain, ab kidhar jaaye...Jaaduuuuuuu teri nazar...Kushboo tera baadan..tu har kar, ya nah kar...Kali nagin ke jaise..Zulfe teri kali kali..Sagar ko moti aur..Suraj ko tu dati hai lali..Kali nagin ke jaise..Zulfe teri kali kaliYeh din yeh mahine saal guzar jaayenge mere yaar..Magar itna rakhna khayaal..Jeena sirf mere liye, jeena sirf mere liye..Kasam se jeena sirf mere liye, jeena sirf mere liye Banno ki saheli resham ki dori..Chhup chhupke sharmaaye dekhe chori chori..Yeh maane ya na maane main to ispe mar gaya..Yeh ladki haai allah, haai haai re allah Tum paas aaye, yun muskuraaye,Tumne na jaane kya sapne dikhaaye,Tum paas aaye, yun muskuraaye,Tumne na jaane kya sapne dikhaaye,Ab to mera dil jaage na sota hai,Kya karoon haaye, kuch kuch hota hai
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"The grammar of Panini stands supreme among the grammars of the world, alike for its precision of statement, and for its thorough analysis of the roots of the language and of the formative principles of words. By employing an algebraic terminology it attains a sharp succinctness unrivalled in brevity, but at times enigmatical. It arranges, in logical harmony, the whole phenomena which the Sanskrit language presents, and stands forth as one of the most splendid achievements of human invention and industry. So elaborate is the structure, that doubts have arisen whether its complex rules of formation and phonetic change, its polysyllabic derivatives, its ten conjugations with their multiform aorists and long array of tenses, could ever have been the spoken language of a people."

(source: The Indian Empire - By Sir William Wilson Hunter p. 142). For more


Yaad Kuch Aata Nahin, Yeh Hua Kab Se...Ho Gaya Mushkil Chhupaana Raaz Yeh Sab Se...Tum Kaho To Maang Loon Main Aaj Kuch Rab Se Rabba mere rabba rabba, rabba mere rabba,Is pyaar ko main kya naam doon Roshni se bhare bhare..Bhare bhare naina tere..Chhooke bole na chhoona mujhe Suraj hua maddham, chaand jalne laga..Aasmaan yeh haai kyoon pighalne laga..Main thehra raha, zameen chalne lagi.. Bheeghi Bheeghi Raaton Mein, Phir Tum Aao Na...Asi Barsaton Mein Aao Na.. Humko Humise Chura Lo, Dil Mein Kahin Tum Chhupa Lo,Hum Akele Kho Naa Jaaye, Door Tumse Ho Naa Jaaye,Paas Aao Gale Se Lagaa Lo Toota Toota ek parinda...Jo bhi kaal hua kal bhi phir aayaga Hai...Tumse milke dil ka hai jo haal kya kahe..Ho gaya hai kaisa yeh kamaal kya kahe Ruka Ja, Oh Jaana Wali Ruka Ja...Nazara Mein To Tera Bhura Sa Sahi..Adami Mein Bhura Nahi Dil Ka Aja Re, Aja Re Oh Mere Dilbar Aja..Dil Ki Pyaas Buja Ja Re...Oh Noorie kabhie kabhie mere dil mein khayaal aata hai...ke jaise tujh ko banaya gaya hai mere liye..ke jaise tujh ko banaya gaya haiKitna bechain hoke tumse mila...Tumko kya tha khabar tha main kitna akela ..Ke kitna mohabbat hai tumse...Hai...Tumse milke dil ka hai jo haal kya kahe..Ho gaya hai kaisa yeh kamaal kya kaheTujhe dekha to yeh jaana sanam..Pyaar hota hai deewana sanam..Tujhe dekha to yeh jaana sanam.Tujhe dekha to yeh jaana sanam..Pyaar hota hai deewana sanam.Ab ahan se kahan jaaye hum..Teri bahon mein mar jaaye hum Aksar is duniya mein anjaane milte hain,Anjaani raahon mein milke kho jaate hain,Lekin hamesha voh yaad aate hain Na kajre ki dhaar, na motiyon ke haar,Na koi kiya singaar phir bhi kitni sundar ho,Tum kitni sundar ho Na jaane mere dil ko kya ho gaya..Abhi to yahin tha, abhi kho gaya..Ho gaya hai tujhko to pyaar sajna..Lakh kar le tu inkaar sajna..Dildaar sajna, hai yeh pyaar sajna



Dil Dooba Dil Dooba...Neela Akho Mein Yeh Dil Dooba.. Neela Neela Amber Per Chand Jab Aye...Aisa Koi Saathi Ho ..Aisa Koi Premi Hoi Jaanam Dekh Lo Mit Gayeen Dooriyaan..Main Yahaan Hoon Yahaan Hoon..Yahaan Hoon..Yahaan...Kaisi Sarhadein...Kaisi Majbooriyaan..Main Yahaan Hoon Yahaan Hoon..Yahaan Hoon..Yahaan...Tum Chhupaa Na Sakogi Main Vo Raaz Hoon...Tum Bhulaa Na Sakogi Vo Andaaz Hoon...Goonjtaa Hoon Jo Dil Mein To Hairaan Ho Kyon...Main Tumhaare Hi Dil Ki To Aavaaz Hoon...Main Yahaan Hoon Yahaan Hoon..Yahaan Hoon..Yahaan... Aisa muhje tu na dehka na...seeena se laga loonga, tum ko tumse chura loonga...dil mein chupa loonga Gila Gila Dil Gila.. Mila mila mila koi mila ...Teri Ha Adaar Laga sab se judaa hai dil tuje per fida hai... Dhoom Dhoom let ya body do the talking..Dhoom Dhoom be the fire thats buring..Dhoom machaalay dhoom machaalay dhoom Tere Liye Hum Hai Jiye..Hota ke siya...Dil mein Magar chalte reha chaahat ke Diya... Zara zara bahekta hai, mahekta hai,Aaj to mera tan badan, main pyaasi hoon,Mujhe bhar le apni baahon mein Dheera dheera se mera zindagi mein ana...tumsi pyar huma hai kitna jaana jaana Pyar ke isa khel mein..do dil aur mehl mein, tera peecha na chodunga soniya Mera mehboob sanam, tera ashiq hogaya hum...milaka nazaaro se nazaar tera pyaar mein kogaya hum... Wada Raha Pyar Se Pyar Ka, Hum Na Hoga Juda, Dil Ke Dhadkhan Sunrha Hai Mera Khudda Dheera Dheera Se Mera Zindagi Mein Ana...Tumsi Pyar Huma Hai Kitna Jaana JaanaSaamne hain raastein, hum guzar jaaye...Ya kisi ke vaaste hum thaher jaaye...Ab yahan tak aa gaye hain, ab kidhar jaaye...Jaaduuuuuuu teri nazar...Kushboo tera baadan..tu har kar, ya nah kar...Kali nagin ke jaise..Zulfe teri kali kali..Sagar ko moti aur..Suraj ko tu dati hai lali..Kali nagin ke jaise..Zulfe teri kali kaliYeh din yeh mahine saal guzar jaayenge mere yaar..Magar itna rakhna khayaal..Jeena sirf mere liye, jeena sirf mere liye..Kasam se jeena sirf mere liye, jeena sirf mere liye Banno ki saheli resham ki dori..Chhup chhupke sharmaaye dekhe chori chori..Yeh maane ya na maane main to ispe mar gaya..Yeh ladki haai allah, haai haai re allah Tum paas aaye, yun muskuraaye,Tumne na jaane kya sapne dikhaaye,Tum paas aaye, yun muskuraaye,Tumne na jaane kya sapne dikhaaye,Ab to mera dil jaage na sota hai,Kya karoon haaye, kuch kuch hota hai




 
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